My creative journey began as a live performer and beatboxer, a background that gave me a deep intuitive feel for rhythm and the importance of audio—an element too often overlooked in film. As an independent artist, I learned early on how to handle every moving part of a project, eventually moving into sound mixing to gain an honest, ground-level view of how a production truly comes together.

Today, as Head of Production at Woodward Original, I bridge the gap between that creative intuition and logistical precision. Having worked nearly every role on set, I bring a unique, 360-degree perspective to the process. This hands-on history shaped my jazz-like approach to producing: mastering the fundamentals while staying agile enough to flow with the fun chaos of a production.